The 2017 Hangar Exhibition, curated by Ahmad Humeid, presents work by local and regional designers in response to the theme of ‘movement’, whether physical, intellectual, cultural, or social. It showcases work that moves between extremes. The extremes of attitude: from the experimental to the practical. The extremes of impact: from the individual to the collective. The extremes of scale: from a letterform to the planet.

This year witnesses the return of the pop-up Crafts District, a space dedicated to celebrating the social, performative, and critical discourse of crafts and making. Taking place in an open-air structure designed by architect Dina Haddadin, and at the Al Hussein Cultural Center, this year's Crafts District offers a multi-sensory experience in local culture and traditions in making and preservation.

​This year’s highlight is the first ever Amman Design Week Student Exhibition, which invites high school and university students across the Kingdom to showcase their work during the event between 6 -14 October.

Visit the Mobile MakerSpace during Amman Design Week at Ras El Ain between 6 - 14 October 2017 and engage in public workshops.

Visit the workshop space at Amman Design Week to browse all the entries for the Urban Park Design Competition.

The value of bilingual typography and its implications are at the core interests of prominent and emerging designers in the region. Bilingualism in visual communication is becoming an imperative approach in design praxis. Diane Mikhael introduces the new publication, ‘Bilingualism in Visual Communication’, which showcases an amalgam of historical accounts, concepts and design practices in pairing the Arabic and Latin scripts.

The 15 minute film will consist of six interviews with Jordanian architects, each of whom will discuss one of the winning projects for the 2016 (13th) Cycle of the Aga Khan Award for Architecture. The film screening will be followed by a conversation between Farrokh Derakhshani, the Director of the Aga Khan Award for Architecture (Geneva); Mohammad al-Asad, the Founding Director of the Center for the Study of the Built Environment in Amman (CSBE) and a member of the Steering Committee for the 2016 cycle of the Aga Khan Award for Architecture; and Ahmad Humeid, founder and CEO of Syntax Digital.

Huda Abifares speaks about the relevance of type design research for creating culturally relevant communication, sustaining heritage and urban environments, and developing culturally-sensitive products. She discusses projects by The Khatt Foundation that focus on open-platform, exchange and collaboration, and education as case studies for a potential model of operation.

The talk will discuss an ongoing agenda, “Almost Natural”, through situating it as a critique towards ongoing green building practices and how a blurring between the natural and synthetic offers an alternative attitude towards building and construction in the Anthropocene.

How can the act of making help promote economic growth, bring communities closer together, and overcome a variety of social issues? In this panel discussion, chaired by the editor of Crafts magazine, Grant Gibson, speakers from Disarming Design from Palestine, The Jordan River Foundation, the Princess Taghrid Foundation explain how craft is capable of making a difference, highlighting the power of collaboration and sustainable programs in craft.

Kais Al Rawi shares insights into articulated geometries and computational design processes within three contexts: practice, academia and research. From a professional-practice perspective, architect-engineer collaborations will be showcased on a series of projects which bridge scales from complex art-forms to NFL stadia and airports. From academia, Kais shares design outcomes from London’s AA course in Jordan, featuring designs inspired by Jordan’s unique ecology – and beyond, designing habitats on Mars, a landscape often likened to Wadi Rum.

The concept of sustainability is taking greater significance in today's society. Consumers are increasingly responsible, laws are getting stricter, and resources are becoming rarer and more expensive. Without a doubt, there is a lot to be done and said regarding sustainability in the fashion world, which affects every stage of the product's life cycle; from design, material sourcing, and production, to logistics, use, and end of life. A holistic view on sustainability is key to understanding the future of fashion, and to thus be able to produce fashion with a future.