Design is rarely neglected in filmmaking, but sometimes it seems invisible because an audience assumes that everything they see on a screen was already there. That's the magic of design for film: you're not always supposed to be aware of it. It's all a trick.

Learn the basics of papermaking using natural, local materials and the traditional techniques of the craftswomen of Iraq al Amir. Participants will experiment with fallen palm leaves, grass, flowers, sumac, red henna, saffron, rose leaves, paprika, tea and local coffee.

While the catalogue of materials available to architects and 3D printing have exponentially increased the possibility to marry innovation with value, most of us still paint within our comfort zone. Instead of limiting our use to a traditional palette consisting of concrete, wood, brick, glass, and metal, however, we have expanded our use of available materials to embrace a design ethos that bridges research, practice, and the possibilities.

Till now and counting, there are 95 design weeks throughout the world, each generating massive impact on a city by attracting media attention, tourism and helping the economy. The collective dialogue invites local designers to engage on the world stage.

Facilitated by Faisal Nemri, who currently works as the Mixed Dimensions Marketing researcher for both its products MakePrintable and GamePrint, this workshop introduces the concepts and basics of 3D design for 3D printing, and takes a hands-on approach enabling participants to design their first 3D printable object.

The faculty, which is open to the local community, holds art exhibitions for its students and academic members, reflecting their diverse schools of art, and presenting a clear picture of the faculty’s artistic richness. The current exhibition showcases the works and projects of students from the Architecture, Interior Design and Graphic Design departments during the 2015-2016 academic year.

‘Through letters’ is an exhibition that highlights the use of letters in the designs of Hamza Bounoua’s art. He aims to create a universal visual language, drawing inspiration from a medley of cultural traditions, including the art of ancient Egypt and Mesopotamia, African tribal masks, totemic figures, graffiti and East Asian and Arabic penmanship.

The installation is a window display of a mechanically driven geometrical sculpture that can be reconfigured and designed by members of the audience’s hand movements. It is a playful installation, simply empowering the audience with the power of design through seamless technology.

Al Burgan Handicrafts was established in 1989 as a family business specialized in designing, developing and contemporizing traditional Jordanian crafts. Al Burgan products feature colorful fabrics, threads and trimmings to produce top-quality, unique handmade items that combine originality, intricate needlework, and local sewing skills.

An award-winning source for authentic upcycled furniture, home accessories, clothing and jewelry creations, Badr Adduja cultivates the talents of over 60 craftspeople, ensuring them stability of income while putting their skills towards preserving the richness of Arabian folklore and heritage.

Samar Zureik is a storyteller who uses graphic design and illustration to paint a narrative of her life and the stories of those around her. The Lab at Darat al Funun - The Khalid Shoman Foundation is transformed into a space for the resurrection of family stories and memories.

Works by seven established designers who work across various artistic disciplines; Alia Zabian, Suzanne Taher, Boutros AlMaari, Hania Kuzbari, Lara Zureikat, Maha Kawar, and Omar Bilbeisi.