The 2016 design exhibition takes place at the Amman Electricity Hangar in Ras El Ain. Designed and curated by architect Sahel Al Hiyari, the exhibition showcases original work by local and regional designers. The exhibition focuses on ideas of locality, challenging our understanding of design and its ability to push the boundaries of material, scale, form and function.

Located in the Jordan Museum, the MakerSpace is a forward-looking celebration of the Maker Movement. Visitors are invited to explore and interact with the modern tools and methods of creation, including digital fabrication technology, 3D printers, audio-visual devices and advanced robotics. These are situated alongside the museum’s collection of ancient tools, creating a juxtaposition that helps shed light on the evolution of innovation.

The Raghadan Tourist Terminal transforms into a social space exploring the importance of craft in issues of empowerment, self-expression and storytelling. Curated by architect Dina Haddadin, this exhibition offers a holistic link between culture, heritage and contemporary craft through a series of pop-up shops, demonstration booths, design installations and a local food component.

To support local talent, Amman Design Week has prepared an exciting entertainment schedule offering live performances featuring local musicians and tunes featuring various local talents who will be performing as part of the social space created for the Crafts District.

An award-winning source for authentic upcycled furniture, home accessories, clothing and jewelry creations, Badr Adduja cultivates the talents of over 60 craftspeople, ensuring them stability of income while putting their skills towards preserving the richness of Arabian folklore and heritage.

This joint exhibition at the TIRAZ Centre takes you back to a time of superstitions and magic through jewelry. The exhibition features hand-selected pieces ranging from the early 20th century until today from Jordan, Palestine, Syria, Lebanon, Iraq, Oman and Yemen.

An exhibition of the first prototypes of Sahel Al Hiyari's product design and Laith Demashqieh's drawings. It represents ‘work in progress’ and the potential of looking at product design not as a finished form.

MADAFA stems from the belief that design should be experienced through all five senses. Set within the winding pathway between Al Hussein Cultural Center and Greater Amman Municipality, MADAFA is a social space and pavilion curated by Arini and designed by architects Rasem Kamaland and Saja Nashashibi. The pavilion is a modern reinterpretation of the traditional space for the reception of visitors.

This jewelry-making workshop is part of the Memory Matrix project, exploring possibilities of future heritage creation, employing new fabrication techniques and transcultural collaborations. The workshop participants will be using the cutouts from these pixels to create jewelry, which can be sold to benefit the education of refugees and communities affected by conflict and crisis.

When objects align themselves in specific patterns to form constellations, they affect one another in an exchange that releases nuances of meanings and experiences. This exhibition curated by Sahel Al Hiyari transforms the works of Mamdouh Bisharat, Abeer Seikaly, and Sami Haven to engage with the space and the city.

This film attempts to capture the creative energy of Amman through the soul of Mamdouh Bisharat, who like Kurt Schwitters of Germany and Joseph Cornell of the US, uses "psychological collages” of fragments of found objects to make sense of the world around him.

Ali Maher was a key artist, architect, teacher, and cultural icon in Amman. He was a bridge between all incoming students and visitors, highlighting the interesting sights within Amman as well as across the Kingdom. In memory of the third anniversary of his passing, this exhibition is a reflection of Maher’s generosity, presenting a series of drawings and sketches which he gave away on the spot to whomever was around him.